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1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Clara de la Motte
Josè Francisco Xavier de Salazar y Mendoza (1750–1802) was a native of Merida in the Yucatan Peninsula. In 1782, he arrived in New Orleans with his family, his wife Maria Antonia Magena, his infant son Jose, & his daughter Francisca, whom he taught to paint as she assisted him.
1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Family of Don Antonio Mendez (1750-1829)
1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Louise Duralde
1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Family of Dr. Joseph Montegut
1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Marianne Celeste Dragon
1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Senora Don Carlos Trudeau
Tampilkan postingan dengan label 1700s American Art. Tampilkan semua postingan
Tampilkan postingan dengan label 1700s American Art. Tampilkan semua postingan
Minggu, 16 September 2012
Minggu, 18 Maret 2012
American artist & engraver Joseph Wright 1756-1793)
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Joseph Wright (1756-1793), was born in Bordentown, New Jersey. He probably received his first art training from his mother, wax sculptor Patience Lovell Wright (1725–86).
Joseph Wright (1756-1793) Benjamin Franklin 1782 from observation + the 1778 pastel by Joseph Siffred Duplessis (1725–1802)
After his father's death in 1769, Joseph, Jr. was probably taken by guardians, Manuel Eyre & his wife, who lived in the Kensington neighborhood of Philadelphia. In that year, Joseph began studies at The College, Academy & Charitable School of Philadelphia in the Province of Pennsylvania.
Joseph Wright (1756-1793) George Washington, 1783-1785 In August 1783, Congress authorized funding for an equestrian statue of George Washington in "Roman dress…his head encircled with a laurel wreath." They commissioned American painter Joseph Wright for a bust of the victorious Commander in Chief. Wright executed this cast bas-relief portrait as an offshoot of that project. Bust-length, profile portraits were extremely popular in the late eighteenth century. Based on ancient Greek and Roman examples, they appealed to neoclassical tastes. They also embodied the individualism and rationalism of the Enlightenment era by demanding close, objective observation for an accurate depiction.
His mother opened a waxworks in New York City. In 1772, she moved to London to open a studio & waxworks there. Six years later, in 1775, Joseph, Jr. joined his mother in England; & became the first American-born student to matriculate in the Royal Academy of Arts at Somerset House in London, where he studied for 6 years, until 1781. He won a silver medal for "the best model of an Academy figure" in December 1778. In 1780, he caused a scandal at the Royal Academy by exhibiting a portrait of his mother sculpting a wax head of King Charles II, while busts of King George III & Queen Charlotte looked on.
Joseph Wright (American artist, 1756-1793) Hannah Bloomfield Giles 1784
In 1781, Joseph, & his mother, traveled to Paris; & while there, he painted several portraits of Benjamin Franklin. After 7 years in Europe, Wright returned to America in 1782, where he became the first of just 2 artists to make a plaster mold of George Washington.
Joseph Wright (1756-1793) George Washington Drypoint 1790. Wright’s delicate & intimate drypoint profile of Washington was much copied by contemporary artists in a variety of media, magazines, prints, & medals. There is a popular, though not necessarily truthful, story that Wright secretly sketched the president, while he sat in his pew in Saint Paul’s Chapel in New York. Washington posed for Wright in 1783, for a painting & a sculpture. It is conceivable, that the artist drew upon that experience for this little print.
In 1783, George Washington described the experience as Wright executed his plaster mask, "He oiled my features over, and, placing me flat upon my back upon a cot, proceeded to daub my face with the plaster. While in this ludicrous attitude, Mrs. Washington entered the room, and seeing my face thus overspread with plaster, involuntarily exclaimed. Her cry excited in me a disposition to smile, which gave my mouth a slight twist or compression of the lips that is now observable in the busts which Wright afterwards made."
Joseph Wright (1756-1793) G. Washington, engraved by James Manly after Joseph Wright, ca. 1790.
Thomas Jefferson judged a portrait of George Washington by Joseph Wright very highly. "I have no hesitation in pronouncing Wright's drawing to be a better likeness of the General than Peale's," he wrote in 1795. Wright painted a portrait of Washington for Jefferson in 1784, & planned to have a drawing, which was made at the same time, engraved in London by his mother Parience Wright.
Joseph Wright (1756-1793) Frederick Augustus Muhlenberg (1750-1801) First Speaker of the United States House of Representatives.
In January 1786, the engraving still had not been made. Jefferson wrote: "before the painter would agree to draw it for me, he made me promise not to permit any copy of it to be taken till his mother in London should have time to have an engraving from one which he drew out at the same time, & also to dispose of the engravings. Twenty months have now elapsed, & I can neither learn that they have made any engraving from the picture, nor get an answer from the painter." Wright's mother died in London in 1786.
Joseph Wright (1756-1793) John Jay (1745–1829) was a patriot statesman & the first Chief Justice of the United States Supreme Court (1789–95).
Wright made a small drypoint etching of Washington in New York in 1790, & Jefferson acquired two of them. He purchased the first on 10 June, noting in his Memorandum Book, "pd for print of the President by Wright 8/." & the second on June 23, "pd. for another engraving of General Washington by Wright 8/." On June 27, he sent one to his daughter Martha: "I now inclose you an engraving of the President done by Wright who drew the picture of him which I have at Paris."
Joseph Wright (1756-1793) Coin designed with Liberty Cap
Wright stayed in New York City in 1785, before moving back to Philadelphia. On December 5, 1789, Wright married Sarah Vandervoordt in Philadelphia.
Joseph Wright (1756-1793) worked at the first U. S. Mint taken in 1854 by Frederick DeBourg
Meanwhile, President, George Washington & Secretary of State, Thomas Jefferson, diligently sought after talented European engravers to design the first United States coins. However, they failed in this endeavor. They finally decided that Joseph Wright, would become the "unofficial" Mint Engraver in 1792.
Joseph Wright (1756-1793) Liberty Cap
He began working there at the nascent U. S. Mint in the second half of 1792. In August, 1793, Joseph was designated as the Mint's "First Draughtsman & Diesinker." Wright was responsible for the design of the Liberty Cap half & large cents. These designs were based upon the obverse of the Libertas Americana medal on which Wright is believed to have been the designer. Large Cent varieties of 1793 are his creations.
The first U.S. Mint (c.1910) built in 1792. The last-standing (main) building was destroyed in 1911
It was a a time of turmoil, confusion, & delay, during the building of the first US Mint. This mint was attempting to issue a new coinage that would take a while to be accepted. Most mint records were not being recorded. It was a time when creating & issuing US coinage was an urgent matter, just to gain a start, with an independent coinage for circulation in the newly independent nation the United States of America.
Joseph Wright (1756-1793) Family portrait of Artist's Family. Joseph Wright & Sarah Vandervoordt-Wright, in an unfinished 1793 painting, with their children; Sarah (on floor), Joseph & baby Harriet. Joseph, Jr. & Sarah are believe to be twins. Wright's painting was left unfinished, when both he & Sarah died from yellow fever during the 1793 Philadelphia epidemic. It has been postulated that Wright used Sarah's likeness when creating the Liberty Cap design.
It was a short lived post at the United States Mint, as Wright contracted Yellow Fever, less than a year into his new post, in 1793. The Yellow Fever epidemic struck Philadelphia hard that year & prompted, all who could, to leave the city. It shut-down mint operations for a time. Wright, contracted yellow fever & died on September 13, 1793. His wife Sarah also died from the fever.
.
Joseph Wright (1756-1793), was born in Bordentown, New Jersey. He probably received his first art training from his mother, wax sculptor Patience Lovell Wright (1725–86).
Joseph Wright (1756-1793) Benjamin Franklin 1782 from observation + the 1778 pastel by Joseph Siffred Duplessis (1725–1802)
After his father's death in 1769, Joseph, Jr. was probably taken by guardians, Manuel Eyre & his wife, who lived in the Kensington neighborhood of Philadelphia. In that year, Joseph began studies at The College, Academy & Charitable School of Philadelphia in the Province of Pennsylvania.
Joseph Wright (1756-1793) George Washington, 1783-1785 In August 1783, Congress authorized funding for an equestrian statue of George Washington in "Roman dress…his head encircled with a laurel wreath." They commissioned American painter Joseph Wright for a bust of the victorious Commander in Chief. Wright executed this cast bas-relief portrait as an offshoot of that project. Bust-length, profile portraits were extremely popular in the late eighteenth century. Based on ancient Greek and Roman examples, they appealed to neoclassical tastes. They also embodied the individualism and rationalism of the Enlightenment era by demanding close, objective observation for an accurate depiction.
His mother opened a waxworks in New York City. In 1772, she moved to London to open a studio & waxworks there. Six years later, in 1775, Joseph, Jr. joined his mother in England; & became the first American-born student to matriculate in the Royal Academy of Arts at Somerset House in London, where he studied for 6 years, until 1781. He won a silver medal for "the best model of an Academy figure" in December 1778. In 1780, he caused a scandal at the Royal Academy by exhibiting a portrait of his mother sculpting a wax head of King Charles II, while busts of King George III & Queen Charlotte looked on.
Joseph Wright (American artist, 1756-1793) Hannah Bloomfield Giles 1784
In 1781, Joseph, & his mother, traveled to Paris; & while there, he painted several portraits of Benjamin Franklin. After 7 years in Europe, Wright returned to America in 1782, where he became the first of just 2 artists to make a plaster mold of George Washington.
Joseph Wright (1756-1793) George Washington Drypoint 1790. Wright’s delicate & intimate drypoint profile of Washington was much copied by contemporary artists in a variety of media, magazines, prints, & medals. There is a popular, though not necessarily truthful, story that Wright secretly sketched the president, while he sat in his pew in Saint Paul’s Chapel in New York. Washington posed for Wright in 1783, for a painting & a sculpture. It is conceivable, that the artist drew upon that experience for this little print.
In 1783, George Washington described the experience as Wright executed his plaster mask, "He oiled my features over, and, placing me flat upon my back upon a cot, proceeded to daub my face with the plaster. While in this ludicrous attitude, Mrs. Washington entered the room, and seeing my face thus overspread with plaster, involuntarily exclaimed. Her cry excited in me a disposition to smile, which gave my mouth a slight twist or compression of the lips that is now observable in the busts which Wright afterwards made."
Joseph Wright (1756-1793) G. Washington, engraved by James Manly after Joseph Wright, ca. 1790.
Thomas Jefferson judged a portrait of George Washington by Joseph Wright very highly. "I have no hesitation in pronouncing Wright's drawing to be a better likeness of the General than Peale's," he wrote in 1795. Wright painted a portrait of Washington for Jefferson in 1784, & planned to have a drawing, which was made at the same time, engraved in London by his mother Parience Wright.
Joseph Wright (1756-1793) Frederick Augustus Muhlenberg (1750-1801) First Speaker of the United States House of Representatives.
In January 1786, the engraving still had not been made. Jefferson wrote: "before the painter would agree to draw it for me, he made me promise not to permit any copy of it to be taken till his mother in London should have time to have an engraving from one which he drew out at the same time, & also to dispose of the engravings. Twenty months have now elapsed, & I can neither learn that they have made any engraving from the picture, nor get an answer from the painter." Wright's mother died in London in 1786.
Joseph Wright (1756-1793) John Jay (1745–1829) was a patriot statesman & the first Chief Justice of the United States Supreme Court (1789–95).
Wright made a small drypoint etching of Washington in New York in 1790, & Jefferson acquired two of them. He purchased the first on 10 June, noting in his Memorandum Book, "pd for print of the President by Wright 8/." & the second on June 23, "pd. for another engraving of General Washington by Wright 8/." On June 27, he sent one to his daughter Martha: "I now inclose you an engraving of the President done by Wright who drew the picture of him which I have at Paris."
Joseph Wright (1756-1793) Coin designed with Liberty Cap
Wright stayed in New York City in 1785, before moving back to Philadelphia. On December 5, 1789, Wright married Sarah Vandervoordt in Philadelphia.
Joseph Wright (1756-1793) worked at the first U. S. Mint taken in 1854 by Frederick DeBourg
Meanwhile, President, George Washington & Secretary of State, Thomas Jefferson, diligently sought after talented European engravers to design the first United States coins. However, they failed in this endeavor. They finally decided that Joseph Wright, would become the "unofficial" Mint Engraver in 1792.
Joseph Wright (1756-1793) Liberty Cap
He began working there at the nascent U. S. Mint in the second half of 1792. In August, 1793, Joseph was designated as the Mint's "First Draughtsman & Diesinker." Wright was responsible for the design of the Liberty Cap half & large cents. These designs were based upon the obverse of the Libertas Americana medal on which Wright is believed to have been the designer. Large Cent varieties of 1793 are his creations.
The first U.S. Mint (c.1910) built in 1792. The last-standing (main) building was destroyed in 1911
It was a a time of turmoil, confusion, & delay, during the building of the first US Mint. This mint was attempting to issue a new coinage that would take a while to be accepted. Most mint records were not being recorded. It was a time when creating & issuing US coinage was an urgent matter, just to gain a start, with an independent coinage for circulation in the newly independent nation the United States of America.
Joseph Wright (1756-1793) Family portrait of Artist's Family. Joseph Wright & Sarah Vandervoordt-Wright, in an unfinished 1793 painting, with their children; Sarah (on floor), Joseph & baby Harriet. Joseph, Jr. & Sarah are believe to be twins. Wright's painting was left unfinished, when both he & Sarah died from yellow fever during the 1793 Philadelphia epidemic. It has been postulated that Wright used Sarah's likeness when creating the Liberty Cap design.
It was a short lived post at the United States Mint, as Wright contracted Yellow Fever, less than a year into his new post, in 1793. The Yellow Fever epidemic struck Philadelphia hard that year & prompted, all who could, to leave the city. It shut-down mint operations for a time. Wright, contracted yellow fever & died on September 13, 1793. His wife Sarah also died from the fever.
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Senin, 16 Januari 2012
American Artist Henry Benbridge 1743-1812

Henry Benbridge (1744–1812), early American portrait painter, was born in Philadelphia, the only child of James & Mary (Clark) Benbridge. When he was 7 years old, his widowed mother married Thomas Gordon, a wealthy Scot. The boy's artistic talent was encouraged, as he made decorative designs for his stepfather's drawing-room.

When he was 21, Benbridge was sent to Italy, where he studied with Pompeo Batoni & Anton Raphael Mengs. From there he journeyed to London before returning to Philadelphia. Like other young Americans he was encouraged by Benjamin West. He wrote, on December 7, 1769, to his stepfather: "Upon my arrival I waited upon Mr. West who received me with a sort of brotherly affection, as did my cousin, Mrs. West." He left England in 1770, bearing from West the following note of recommendation to Francis Hopkinson: "By Mr. Benbridge you will receive these few lines. You will find him an Ingenous artist and an agreeable Companion. His merit in the art must procure him great incouragement and much esteem. I deare say it will give you great pleasure to have an ingenous artist resident amongst you."

In Philadelphia, Benbridge married & was admitted to membership in the American Philosophical Society in 1771. Suffering from asthma & the cold of Philadelphia, he moved to Charleston, South Carolina, where he succeeded Jeremiah Theus as the region's popular portrait painter. Around 1800 Benbridge relocated to Norfolk, Virginia, & made frequent visits to his native Philadelphia. At Norfolk he gave Thomas Sully his first lessons in oil painting. Earlier in Charleston, he had instructed Thomas Coram. Sully described his master as "a portly man of good address–gentlemanly in his deportment."

Benbridge, who had certainly seen the lastest opulent fashion trends, as he studied in Italy with Pompeo Batoni & in England with expatriate Benjamin West, had a distrust of the trendy fashionable. In 1770, when his sisters were nearing marrying age, Benbridge wrote his mother from London, that his sisters "should not refuse a good plain honest Country farmer if such a one should offer himself with tolerable good estate, for one of the town who perhaps may have a better taste for dress, but not more merit, if perhaps as much."
+MESDA1st-gallery-art.com.jpg)
When Benbridge had returned from Europe settling in Charlestown, South Carolina, to make a living painting portraits, he wrote to his sister Betsy in 1773, "Every kind of news here is very dull, the only thing attended to is dress and dissipation, & if I come in for a share of their superfluous Cash, I have no right to find fault with them, as it turns out to my advantage."

In 1785, Benbridge, who loved the simple pleasures of gardening, was still worried about the too fancy dress of his son, Harry, whom Benbridge lovingly called "my little fellow." He wrote to his sister that he felt that his wife was dressing him in "too good things for a boy like him to wair, & likewise too many of them at once; he can't take care of them when he is at play & more common & Strong stuff in my Opinion would answer much better, & not fill his head with foolish notions of dress, which perhaps may be his bane."
.+Elizabeth+Allston+(Mrs.+William+H.+Gibbes)..jpg)
It is not surprising that Benbridge painted many of his female clients in dignified classical gowns looking serious, thoughtful, & restrained.












.+Charlotte+Pepper+(Mrs.+James+Gignilliat).+Colonial+Williamsburg+Foundation..jpg)
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Jumat, 14 Oktober 2011
Reading Indoors - Women & Books in 18th-Century America
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1730 John Smibert (American colonial era artist, 1688-1751) Sarah Middlecroft (Mrs Louis Boucher)
Another rainy day here in Maryland. Been spending the last few wet, wet days leafing through my books. Not reading exactly, but playing with the books & thinking about women & books in early America. Here are a few portraits of those gentlewomen with books. I wonder if only women who could read were portrayed with books.
1731 John Smibert (American colonial era artist, 1688-1751) Margaret Mitchell 1664-1736 Mrs Stephen Sewall
1737 Gansevoort Limner Possibly Pieter Vanderlyn (Colonial era American artist, 1687-1778) Young Lady With a Fan
1747 John Greenwood (Amerian colonial era artist, 1727-1792) The Greenwood-Lee Family
1748 Robert Feke (American colonial era artist, 1707-1751) Grizzell Eastwick (Mrs. Charles Apthorp)
1750 Joseph Badger (American colonial era artist, 1708-1765) Faith Savage Waldo
1750 Joseph Badger (American colonial era artist, 1708-1765) Mrs. William Foye Elizabeth Campbell
1752 John Wollaston (American colonial era artist, 1733-1767) Mrs Philip Livingston
1753 Joseph Blackburn (fl in the colonies 1754-1763 Mary Lea (Mrs. John Harvey)
1757 John Singleton Copley (American colonial era artist, 1738-1815) Elizabeth Allen (Mrs William Stevens)
1758 John Singleton Copley (American colonial era artist, 1738-1815) Mary Alleyne Mrs James Otis
1758 Joseph Blackburn (American colonial era artist, fl 1753-1763) Mrs. Jonathan Simpson (Margaret Lechmere)
1764 John Singleton Copley (American colonial era artist, 1738-1815) Mrs. Samuel Hill, nee Miriam Kilby
1764 John Singleton Copley (American colonial era artist, 1738-1815) Mrs Anna Dummer Powell
1765 Jeremiah Theus (American colonial era artist, 1716-1774) Mary Cuthbert Mrs James Cuthbert
1765-67 John Wollaston (American colonial era artist, 1733-1767) Rebecca Bee Holmes Mrs Isaac Holmes
1766 John Singleton Copley (American colonial era artist, 1738-1815) Mrs. Nathaniel Ellery Ann Sargent
1770 Cosmo Alexander (American colonial era artist, 1724-1772) Margaret Stiles Manning
1770 Cosmo Alexander (American colonial era artist, 1724-1772) Martha Lathrop (Mrs. Ebenezer Devotion)
1770 John Singleton Copley (American colonial era artist, 1738-1815) Mrs James Russell (Katherine Graves)
1770 John Singleton Copley (American colonial era artist, 1738-1815) Relief Dowse (Mrs Michael Gill)
1770-75 Henry Benbridge (American colonial era artist, 1743-1812) Mrs Mary Cuthbert 1716-1794 Mary Hazzard wife of Dr James Cuthbert
1772 Cosmo Alexander (American colonial era artist, 1724-1772) Mary Jemima Balfour (Mrs James Balfour)
1773 Henry Benbridge (American colonial era artist, 1743-1812) Mrs Charles Coteworth Pinckney (Sarah Middleton)
1775 Charles Willson Peale (American artist, 1741-1827) Mrs James Smith with her grandson
1776 Charles Willson Peale (American artist, 1741-1827) Mrs James Latimer
1777-80 Charles Willson Peale (American artist, 1741-1827) Mrs Samuel Mifflin & granddau Rebecca Mifflin Francis
1779 Ralph Earl (American artist, 1751-1801) Mary Ann Carpenter Mrs Thompson Foster
1783 Charles Willson Peale (American artist, 1741-1827) The Artist's Mother, Mrs. Charles Peale, and Her Grandchildren
1784 Ralph Earl (American artist, 1751-1801) Anne Whiteside Earl the artist's wife
1785-90 Beardsley Limner possibly Sarah Bushnell Perkins (American artist, 1771-1831) Mrs Hezekiah Beardsley
1787 Charles Willson Peale (American artist, 1741-1827) Mary Chew (Mrs Thomas Elliott Chrysler)
1788 Charles Willson Peale (American artist, 1741-1827) Mrs Robert Gilmore with Jane and Elizabeth
1789 Christian Gullager (American artist, 1759-1826) Elizabeth Sewall Mrs Samuel Salisbury
1789 Christian Gullager (American artist, 1759-1826) Martha Saunders (Mrs Nicholas Salisbury)
1789 Christian Gullager (American artist, 1759-1826) Rebecca Salisbury Waldo (Mrs Daniel Waldo)
1790 Denison Limner probably Joseph Steward (American artist, 1753-1822) Elizabeth Denison
1790 Denison Limner probably Joseph Steward (American artist, 1753-1822) Mrs Elizabeth Noyes
1790s John Brewster (American artist, 1766-1854) Dr and Mrs Brewster
1791 Charles Willson Peale (American artist, 1741-1827) Mrs Francis Baily
1791 John Mackay or M'Kay (American artist, 1767-1807) Hannah Ackley Bush
1791 Ralph Earl (American artist, 1751-1801) Mrs John Watson
1792 Ralph Earl (American artist, 1751-1801) Mrs Joseph Wright
1794 James Earl (American artist, 1761-1796) Mrs. John Rogers (Elizabeth Rodman)
1794-96 James Earl (American artist, 1761-1796) Rebecca Pritchard and her daughter Eliza
1795 Joseph Steward (American artist, 1753-1822) Pamela Sedgwick 1753-1807
1796 Jonathan Budington 1766-1854 George Eliot and Family
1796 Ralph Earl (American artist, 1751-1801) Mrs Sherman Boardman (Sarah Bostwick)
1797 Christian Gullager (American artist, 1759-1826) Dorothy Lynde (Mrs Elijah Dix)
1797 Gilbert Stuart (American painter, 1755-1828) Ann Willing Bingham
1797 Gilbert Stuart (American painter, 1755-1828) Mary Willing Clymer
1799 Charles Peale Polk (American artist, 1767-1822) Margaret Baker Briscoe (Mrs. Gerard Briscoe)
1799 Charles Peale Polk (American artist, 1767-1822) Eleanor Conway Hite & James Madison Hite
1799 Joshua Johnson (American artist, 1763-1826) Mrs John Moale (Ellen North) & Ellin
1800 Charles Peale Polk (American artist, 1767-1822) Martha Selden Jones (Mrs. Churchill Jones) of Chatham, near Fredericksburg
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1730 John Smibert (American colonial era artist, 1688-1751) Sarah Middlecroft (Mrs Louis Boucher)
Another rainy day here in Maryland. Been spending the last few wet, wet days leafing through my books. Not reading exactly, but playing with the books & thinking about women & books in early America. Here are a few portraits of those gentlewomen with books. I wonder if only women who could read were portrayed with books.
1731 John Smibert (American colonial era artist, 1688-1751) Margaret Mitchell 1664-1736 Mrs Stephen Sewall
1737 Gansevoort Limner Possibly Pieter Vanderlyn (Colonial era American artist, 1687-1778) Young Lady With a Fan
1747 John Greenwood (Amerian colonial era artist, 1727-1792) The Greenwood-Lee Family
1748 Robert Feke (American colonial era artist, 1707-1751) Grizzell Eastwick (Mrs. Charles Apthorp)
1750 Joseph Badger (American colonial era artist, 1708-1765) Faith Savage Waldo
1750 Joseph Badger (American colonial era artist, 1708-1765) Mrs. William Foye Elizabeth Campbell
1752 John Wollaston (American colonial era artist, 1733-1767) Mrs Philip Livingston
1753 Joseph Blackburn (fl in the colonies 1754-1763 Mary Lea (Mrs. John Harvey)
1757 John Singleton Copley (American colonial era artist, 1738-1815) Elizabeth Allen (Mrs William Stevens)
1758 John Singleton Copley (American colonial era artist, 1738-1815) Mary Alleyne Mrs James Otis
1758 Joseph Blackburn (American colonial era artist, fl 1753-1763) Mrs. Jonathan Simpson (Margaret Lechmere)
1764 John Singleton Copley (American colonial era artist, 1738-1815) Mrs. Samuel Hill, nee Miriam Kilby
1764 John Singleton Copley (American colonial era artist, 1738-1815) Mrs Anna Dummer Powell
1765 Jeremiah Theus (American colonial era artist, 1716-1774) Mary Cuthbert Mrs James Cuthbert
1765-67 John Wollaston (American colonial era artist, 1733-1767) Rebecca Bee Holmes Mrs Isaac Holmes
1766 John Singleton Copley (American colonial era artist, 1738-1815) Mrs. Nathaniel Ellery Ann Sargent
1770 Cosmo Alexander (American colonial era artist, 1724-1772) Margaret Stiles Manning
1770 Cosmo Alexander (American colonial era artist, 1724-1772) Martha Lathrop (Mrs. Ebenezer Devotion)
1770 John Singleton Copley (American colonial era artist, 1738-1815) Mrs James Russell (Katherine Graves)
1770 John Singleton Copley (American colonial era artist, 1738-1815) Relief Dowse (Mrs Michael Gill)
1770-75 Henry Benbridge (American colonial era artist, 1743-1812) Mrs Mary Cuthbert 1716-1794 Mary Hazzard wife of Dr James Cuthbert
1772 Cosmo Alexander (American colonial era artist, 1724-1772) Mary Jemima Balfour (Mrs James Balfour)
1773 Henry Benbridge (American colonial era artist, 1743-1812) Mrs Charles Coteworth Pinckney (Sarah Middleton)
1775 Charles Willson Peale (American artist, 1741-1827) Mrs James Smith with her grandson
1776 Charles Willson Peale (American artist, 1741-1827) Mrs James Latimer
1777-80 Charles Willson Peale (American artist, 1741-1827) Mrs Samuel Mifflin & granddau Rebecca Mifflin Francis
1779 Ralph Earl (American artist, 1751-1801) Mary Ann Carpenter Mrs Thompson Foster
1783 Charles Willson Peale (American artist, 1741-1827) The Artist's Mother, Mrs. Charles Peale, and Her Grandchildren
1784 Ralph Earl (American artist, 1751-1801) Anne Whiteside Earl the artist's wife
1785-90 Beardsley Limner possibly Sarah Bushnell Perkins (American artist, 1771-1831) Mrs Hezekiah Beardsley
1787 Charles Willson Peale (American artist, 1741-1827) Mary Chew (Mrs Thomas Elliott Chrysler)
1788 Charles Willson Peale (American artist, 1741-1827) Mrs Robert Gilmore with Jane and Elizabeth
1789 Christian Gullager (American artist, 1759-1826) Elizabeth Sewall Mrs Samuel Salisbury
1789 Christian Gullager (American artist, 1759-1826) Martha Saunders (Mrs Nicholas Salisbury)
1789 Christian Gullager (American artist, 1759-1826) Rebecca Salisbury Waldo (Mrs Daniel Waldo)
1790 Denison Limner probably Joseph Steward (American artist, 1753-1822) Elizabeth Denison
1790 Denison Limner probably Joseph Steward (American artist, 1753-1822) Mrs Elizabeth Noyes
1790s John Brewster (American artist, 1766-1854) Dr and Mrs Brewster
1791 Charles Willson Peale (American artist, 1741-1827) Mrs Francis Baily
1791 John Mackay or M'Kay (American artist, 1767-1807) Hannah Ackley Bush
1791 Ralph Earl (American artist, 1751-1801) Mrs John Watson
1792 Ralph Earl (American artist, 1751-1801) Mrs Joseph Wright
1794 James Earl (American artist, 1761-1796) Mrs. John Rogers (Elizabeth Rodman)
1794-96 James Earl (American artist, 1761-1796) Rebecca Pritchard and her daughter Eliza
1795 Joseph Steward (American artist, 1753-1822) Pamela Sedgwick 1753-1807
1796 Jonathan Budington 1766-1854 George Eliot and Family
1796 Ralph Earl (American artist, 1751-1801) Mrs Sherman Boardman (Sarah Bostwick)
1797 Christian Gullager (American artist, 1759-1826) Dorothy Lynde (Mrs Elijah Dix)
1797 Gilbert Stuart (American painter, 1755-1828) Ann Willing Bingham
1797 Gilbert Stuart (American painter, 1755-1828) Mary Willing Clymer
1799 Charles Peale Polk (American artist, 1767-1822) Margaret Baker Briscoe (Mrs. Gerard Briscoe)
1799 Charles Peale Polk (American artist, 1767-1822) Eleanor Conway Hite & James Madison Hite
1799 Joshua Johnson (American artist, 1763-1826) Mrs John Moale (Ellen North) & Ellin
1800 Charles Peale Polk (American artist, 1767-1822) Martha Selden Jones (Mrs. Churchill Jones) of Chatham, near Fredericksburg
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