Tampilkan postingan dengan label Artist Benbridge. Tampilkan semua postingan
Tampilkan postingan dengan label Artist Benbridge. Tampilkan semua postingan

Senin, 16 Januari 2012

American Artist Henry Benbridge 1743-1812


Henry Benbridge (1743-1812). Margaret Cantey (Mrs. John Peyre).

Henry Benbridge (1744–1812), early American portrait painter, was born in Philadelphia, the only child of James & Mary (Clark) Benbridge. When he was 7 years old, his widowed mother married Thomas Gordon, a wealthy Scot. The boy's artistic talent was encouraged, as he made decorative designs for his stepfather's drawing-room.

Henry Benbridge (1743-1812) Gordon Family (his stepfather & mother Mary Clark Benbridge Gordon) 1763-65

When he was 21, Benbridge was sent to Italy, where he studied with Pompeo Batoni & Anton Raphael Mengs. From there he journeyed to London before returning to Philadelphia. Like other young Americans he was encouraged by Benjamin West. He wrote, on December 7, 1769, to his stepfather: "Upon my arrival I waited upon Mr. West who received me with a sort of brotherly affection, as did my cousin, Mrs. West." He left England in 1770, bearing from West the following note of recommendation to Francis Hopkinson: "By Mr. Benbridge you will receive these few lines. You will find him an Ingenous artist and an agreeable Companion. His merit in the art must procure him great incouragement and much esteem. I deare say it will give you great pleasure to have an ingenous artist resident amongst you."

Henry Benbridge (1743-1812) Mrs Charles Coteworth Pinckney Sarah Middleton Benbridge 1773

In Philadelphia, Benbridge married & was admitted to membership in the American Philosophical Society in 1771. Suffering from asthma & the cold of Philadelphia, he moved to Charleston, South Carolina, where he succeeded Jeremiah Theus as the region's popular portrait painter. Around 1800 Benbridge relocated to Norfolk, Virginia, & made frequent visits to his native Philadelphia. At Norfolk he gave Thomas Sully his first lessons in oil painting. Earlier in Charleston, he had instructed Thomas Coram. Sully described his master as "a portly man of good address–gentlemanly in his deportment."

Henry Benbridge (1743-1812) Archibald Bulloch Family 1775

Benbridge, who had certainly seen the lastest opulent fashion trends, as he studied in Italy with Pompeo Batoni & in England with expatriate Benjamin West, had a distrust of the trendy fashionable. In 1770, when his sisters were nearing marrying age, Benbridge wrote his mother from London, that his sisters "should not refuse a good plain honest Country farmer if such a one should offer himself with tolerable good estate, for one of the town who perhaps may have a better taste for dress, but not more merit, if perhaps as much."

1784 Henry Benbridge (1743-1812). Rachel Moore (Mrs. William Allston II).

When Benbridge had returned from Europe settling in Charlestown, South Carolina, to make a living painting portraits, he wrote to his sister Betsy in 1773, "Every kind of news here is very dull, the only thing attended to is dress and dissipation, & if I come in for a share of their superfluous Cash, I have no right to find fault with them, as it turns out to my advantage."


1790 Henry Benbridge (743-1812). Mary Boyer (Mrs. Robert Shewell).

In 1785, Benbridge, who loved the simple pleasures of gardening, was still worried about the too fancy dress of his son, Harry, whom Benbridge lovingly called "my little fellow." He wrote to his sister that he felt that his wife was dressing him in "too good things for a boy like him to wair, & likewise too many of them at once; he can't take care of them when he is at play & more common & Strong stuff in my Opinion would answer much better, & not fill his head with foolish notions of dress, which perhaps may be his bane."

1780s Henry Benbridge (1743-1812). Elizabeth Allston (Mrs. William H. Gibbes).

It is not surprising that Benbridge painted many of his female clients in dignified classical gowns looking serious, thoughtful, & restrained.

Henry Benbridge (1743-1812). Lady of the Middleton Family. 1780s

Henry Benbridge (1743-1812) Enoch Edwards Family 1779

Henry Benbridge (1743-1812) Mrs Benjamin Simons 1771-76

Henry Bendridge (1743-1812). The Hartley Family. 1787

Henry Benbridge (1743-1812). Sarah White (Mrs. Isaac Chanler). 1770s

Henry Benbridge (1743-1812 The Tannant Family 1770s

Attributed to Henry Benbridge (1743-1812). Rebecca Lloyd (Mrs Edward Davies) 1770s

Henry Benbridge (1743-1812) Mary Bryan Morel and Her Children c 17773

Henry Benbridge (1743-1812) Allegorical Portrait of Sarah Flagg c 1774

Henry Benbridge (1743-1812). Mrs. Mumford Milner (Elizabeth Brewton) b 1786

Henry Benbridge (1743-1812) Rebecca Gordon (his half sister) 1770s

Henry Benbridge (1743-1812) Elizabeth Ann Timothy Mrs William Williamson c 1775-85

1770s Henry Benbridge (1743-1812). Charlotte Pepper (Mrs. James Gignilliat).
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Sabtu, 30 April 2011

Paintings of 18th-Century American Families

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1729 John Smibert (American colonial era artist, 1688-1751). The Bermuda Group

Family portraits are rare in early 18th century British colonial America, perhaps because they were expensive & usually so large, that they required a sizable public parlor for display. Most 18th-century colonial American houses were not spacious. Family portraits are also much more complicated for the artist, and there were few artists available in colonial America early in the century. But the incidence of family portraits grew, as the number of painters & spaces in homes also grew.

1741 Robert Feke (American colonial era artist, 1707-1751). Family of Isaac Royall.

Some gentlemen had family portraits painted as a sign of wealth & as a factor in gaining respect & power in the new world. The painting announced that they were important, entitled to be the natural leader in the new society. Other family paintings commemorated a specific event. Most were not painted to be tucked away for private family contemplation, but to act as a public icon or an emblematic memory for an audience larger than the immediate family. The composition of family paintings was changing throughout the 18th-century as well.

1747 John Greenwood (American colonial era artist, 1727-1792). The Greenwood-Lee Family

The concept of family was evolving as emerging Enlightenment ideas began to impact everyday domestic life & family values in colonial America. Slowly throughout the century, the strict partriarchal family concept was beginning to change. English philosopher John Locke (1632-1704) implied that women should have greater authority in the family & the home. In portraits, artists began to display the woman on nearly the same level as the husband.

1750 John Wollaston (American colonial era artist, 1710-1775). Family Group

Artists began to feel that they could portray married couples as congenial companions. Painters began to portray men participating more in the rearing of their children, they were no longer just expected to be distant strict disciplinarians. Americans were beginning to believe that children needed to be loved & to play. The individual was also becoming more important in 18th-century America. Artists often used props to signify something about the talents, skills, & identities of individuals within these families. In one way or another, each of the following portraits reflects changing patriarchial values, gender relations, attitudes towards women & children, and the growing democratization of American society. But we still remember that women did not receive the right to vote in the United States until 1920.

1755 Joseph Blackburn (American colonial era artist, fl 1753-1763). Isaac Winslow and His Family

NB For this posting I have excluded portraits of children only. Smibert's Bermuda Group and Copley's family portrait were executed immediately before or after the artist entered or exited the American colonial experience. They are so good, I just couldn't resist stretching the boundries to include them.

1763-65 Henry Benbridge (American colonial era artist, 1743-1812). Gordon Family (Including his stepfather & mother Mary Clark Benbridge Gordon)

1770 Henry Benbridge (American colonial era artist, 1743-1812). The Tannatt Family

1771 Charles Willson Peale (American colonial era artist, 1741-1827). Edward Lloyd Family with wife Elizabeth Tayloe and daughter Anne.

1771 William Williams (American colonial era artist, 1727-1791). The Wiley Family.

1771-73 Charles Willson Peale (American colonial era artist, 1741-1827). The Peale Family.

1772 William Williams (American colonial era artist, 1727-1791). The William Denning Family

1775 Henry Benbridge (American colonial era artist, 1743-1812). The Archibald Bulloch Family.

1776 John Singleton Copley (American-born artist, 1738-1815). The Copley Family.

1779 Edward Savage (American artist, 1761-1817). The Savage Family.

1779 Henry Benbridge (American artist, 1743-1812). The Enoch Edwards Family.

1785 Robert Edge Pine (American artist, 1720-30-1788). Alexander Contee Hanson, Sr. and Family.

1787 Henry Benbridge (American artist, 1743-1812). The Hartley Family.

1788 Johannes Eckstein (American artist, 1736-1817) The Samels Family

1789 Charles Willson Peale (American artist, 1741-1827). Robert Goldsborough & Family.

1789 Edward Savage (American artist, 1761-1817). The George Washington Family.

1790 John Brewster Jr. (American painter, 1766-1854) Morgan Family Portrait

1793 Joseph Wright (American artist, 1756-1793). The Wright Family (Joseph & Sarah with children Harriet, Sarah, & Joseph).

1795 James Peale (American artist, 1749-1831). The Artist & His Family.

c 1795 John Brewster Jr. (American painter, 1766-1854) Deacon Eliphaz Thayer and His Wife, Deliverance

1795 Unknown Artist. The Cheney Family.

1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Family of Don Antonio Mendez (1750-1829)

1796 Jonathan Budington (American artist, 1766-1854). Portrait of George Eliot and Family.

1796 Ralph Earl (American artist, 1751-1801) The Nickerson Family

1798 John Ritto Penniman (American painter, 1782–1841) Family Group

1798 Ralph Earl (American artist, 1751-1801). Mrs. Noah Smith and Her Children.

1790s Josè Francisco Xavier de Salazar y Mendoza (Mexican-born Louisiana artist, 1750–1802) Family of Dr. Joseph Montegut

1800 Joshua Johnson (American artist, c.1763–1832). Family Group.
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